Killer's artwork removed from auction

ART HISTORY/CANADA - The prison artwork of a Canadian killer up for auction on an American website is going, going, gone.

Federal officials have stopped Roch Theriault's art from leaving Dorchester Penitentiary in New Brunswick, drying up the supply to MurderAuction.com, which specializes in so-called murderabilia.

Correctional Service of Canada has imposed "restrictions on the dissemination and distribution of artwork and hobbycraft items as well as written materials such as memoirs, bibliographies and-or public communications," says an internal document.

"The restrictions are to reduce public notoriety primarily to prevent negative consequences for victims and their families as well as to decrease risk to personal security in the institution and to facilitate eventual reintegration."

Records related to the controversy were obtained by The Canadian Press under the Access to Information Act.

The freeze has had the desired effect: just one Theriault painting remains on MurderAuction.com, an abstract titled "Chutes d'automne," painted in 2003. It had already left the prison before the freeze was imposed.

"Not allowed to send or make anymore art," says the posting by an anonymous Canadian dealer, identified only as Redrum's Autographs.

At least seven pieces had been available for online auction a year ago, most of them believed to have been taken out of Dorchester by a Moncton, N.B.-area woman described as Theriault's current wife.

Auction items have included Theriault's signed poems, and all pieces were of inoffensive subjects, such as flowers.

Theriault is serving a life sentence for a brutal murder committed while he led a bizarre cult at Burnt River, Ont., between 1977 and 1989. He killed his wife through disembowelling, and chopped off the hand of a concubine.

Senior officials in the prison service had been alerted as far back as August 2007 that Theriault's art was appearing on MurderAuction.com, which promotes criminals as celebrities.

But no action was taken until The Canadian Press reported on the controversy last year – and a senior cabinet minister took notice.

"I would appreciate if you could look into this matter and ensure that such practices are not continued," then Public Safety minister Stockwell Day wrote to then head of corrections, Keith Coulter, the day the story appeared.

"Under no circumstances should any offender be permitted to be affiliated with any individual or group that glorifies their crime."

Day added he was "disturbed ... that an offender, rather than his victims, may be benefiting from proceeds of work which is done in prison."

One of those victims, Gabrielle Lavallee, 59 – who lost her hand in a vicious attack by Theriault – also said she was hurt by the online auctions.

"I am victimized by a legal system that seems to give more importance about criminal rights than the victims' right," she said at the time.

The prison service received a legal opinion in the fall of 2007 warning there were legal obstacles to interfering with the auctions.

"Any decision to impose limits on the production, or selling, of artwork by an offender can be grieved and challenged in court," Coulter advised the minister last year.

The heavily censored documents do not spell out the specific legal basis for the current ban, but indicate the new policy applies only to the Theriault case, not to all offenders.

A spokeswoman for the prison service declined to provide any details of restrictions placed on Theriault, citing protections to personal information under the Privacy Act.

Lynn Brunette said only that "measures have been put in place to address this issue."

Material connected with notorious child-killer Clifford Olson continues to appear on the auction website, though it's unclear whether Canadian prison officials have also cut the flow in that case. Olson is serving a life term in a Quebec facility.

Also offered for auction are documents alleged to contain original signatures of infamous dictators, including Saddam Hussein and Benito Mussolini.

Artwork inspired by Bush shoe attack

ART HISTORY - A sculpture of an enormous bronze-coloured shoe has been erected in Iraq to honour the Iraqi journalist who threw his shoes at George W. Bush.

The sofa-sized artwork was formally unveiled in Tikrit, hometown of dead Iraqi ruler Saddam Hussein.

Artist Laith al-Amari insisted it was not a political work, but a "source of pride for all Iraqis".

George W. Bush, who launched an illegal invasion of Iraq in 2003, managed to dodge the shoes. The young journalist who threw the shoes, Muntadar al-Zaidi, was arrested and still awaits trial. As he pulled off his shoes, al-Zaidi, now 30, shouted: "This is from the widows, the orphans, and those who were killed in Iraq." and "This is a farewell kiss, you dog!"

About 400 Iraqis gathered on Thursday to see the monument unveiled - a shoe on a white pedestal, about 3m (10ft) high, with a poem praising the journalist al-Zaidi at its base and a bush growing out of the shoe.

The sculpture stands in the gardens of an Iraqi foundation that looks after children whose parents died in the violence following the US-led invasion.

Following his arrest, al-Zaidi was beaten nearly to death while in custody, suffering a broken arm, broken ribs and internal bleeding.

He has been charged with aggression against a foreign head of state, and faces up to 15 years in jail if convicted. Many Iraqis deny he has done anything wrong since throwing shoes is a traditional Arab insult. Iraqi politicians can't agree what to do about the shoe thrower.

See Also:
The Shoe Thrown Around the World
Iraqi Artists

Top 10 Most Expensive Paintings

10. Vincent Van Gogh - "Portrait de 'artiste sans barbe", 1889
Price paid: $90.7 Million



9. Gustav Klimt - "Portrait of Adele Bloch-Baur II", 1912
Price paid: $93.1 Million



8. Pablo Picasso - "Dora Maar au Chat", 1941
Price paid: $100.8 Million

7. Vincent Van Gogh - "Irises", 1889
Price Paid: $102.3 Million

6. Pablo Picasso - "Garcon a la pipe", 1905
Price paid: $114.8 Million



5. Pierre-Auguste Renoir - "Bal au Moulin de la Galette, Montmarte", 1876
Price paid: $128.8 Million



4. Vincent Van Gogh - "Portrait of Dr. Gachet", 1890
Price paid: $136.1 million

3. Gustav Klimt - "Portrait of Adele Bloch Bauer I", 1907
Price paid: $143.5 Million

2. Williem do Kooning - "Woman III", 1953
Price paid: $145.7 Million

1. Jackson Pollock - "No. 5, 1948", 1948
Price paid: $147.8 Million

Recession hits Art Market

The world wide art market is being hard hit by the American recession and global economic slowdown. How? Artworks at auction are going unsold.

Where just a year ago we were seeing record prices for Andy Warhol's and Vincent Van Gogh's, now paintings and sculptures are sitting on the auction block with no bids whatsoever.

The Canadian art auction market for example celebrated 12 years of growth, eclipsing $71 million in sales over 2007-2008, its largest ever.

At the end of 2008 however the money has dried up. The collapse of the housing sector, the financial markets, the automotive sector and other industries has caused investors to grip their money more firmly. Invest in art? Ha!

In London and New York, fall auctions have severely underperformed, leaving major works unsold or greatly underpriced that American collector Eli Broad even jokingly called it a "half-price sale."

At the modern and impressionist art auctions in New York on November 3rd and 4th works from Monet, Matisse, Van Gogh, Cézanne, Warhol and Rothko, were left unsold. Sotheby's had estimated a low of $338 million (U.S.) in sales, but had only $223.8 million.

So what does this mean for living artists and private art galleries? Well if the art investors are tightening their belts, it suggests that regular art buyers will do the same too and art sales will plummet. We can expect to see quite a few privately owned art galleries lose their collective shirts and close.

Its hard enough for art galleries to survive as is. Its not exactly a business known for profits.

Jackson Pollock for sale in Toronto

Abstract Expressionism - It was a thrift-shop find for $5 and now it's being put up for sale in Toronto with a price tag of $50 million.

A painting by Jackson Pollock will be on display this month at a small, east-end gallery, with its American owner, Teri Horton, seeking a Canadian buyer.

The retired trucker, who found the painting some 15 years ago in San Bernardino, California, says she's been so badly treated by the U.S. art market - which has refused to acknowledge its forensic authentication (Jackson Pollock's fingerprints in the paint) - that she wants a Canadian to buy the colourful abstract canvas.

"For a long time I'd been wanting this painting out of the U.S.A. because they don't deserve the painting," Horton said Tuesday.

"This is the 21st century - the century of science.... They don't want science into art authentication because it's going to expose all the corruption within the U.S.A. art market."

Horton has entrusted the Pollock painting, measuring 1.7-by-1.2 metres and featuring navy, off-white, black, red and yellow paint, to Gallery Delisle in eastern Toronto.

Owner Michelle Delisle says she reached out to Horton after seeing the documentary, "Who the $%& is Jackson Pollock?" in which the gravel-voiced Horton discovers she may have a masterwork on her hands, but comes up against an established art market that refuses to acknowledge evidence provided by a Montreal forensic expert.

Believing the painting to be a real Pollock, Delisle contacted Horton last month and now the painting will be on display at the gallery for two weeks beginning Nov. 13, with private viewings available by appointment from Nov. 1.

"The person that buys this painting is laughing after this because as soon as it's purchased it'll be validated," said Delisle.

"A painting's value is the last price paid, so if this person was to then turn around five years later and bring it to Christie's or Sotheby's (they could do well). The last Pollock that came up to market went for $140 million...and this is a little bit smaller but not a lot. A $50-million price tag is very fair. It's very fair."

Horton says she's had offers to buy the painting in the past, but at $2 million and $9 million bids, they fell far below what she feels it's worth. Bidders with even higher offers were ultimately scared off by New York art advisers who consistently counseled against the purchase, she adds.

Canadian art observers doubt Horton will get her price in Canada, given that serious collectors in Canada tend to favour homegrown artists and that few have the bankroll to meet the steep asking price.